HomeMy WebLinkAbout3147 RESOLUTION NO. 3 ( 47
A RESOLUTION of the City Council of the City of
Bremerton, Washington, approving the Arts Commission Master
Plan
WHEREAS, the Arts Commission and the 1% for Arts Program were
established on July 20, 2005 by Ordinance 4940, and
WHEREAS, the Arts Commission has a vision of Public Art to stimulate
the vitality, economy and culture of our community, and
WHEREAS, the Arts Commission believes that Public Art will enhance
the quality of life for our citizens, and
WHEREAS, the goals of the Arts Commission is to enhance public
spaces, to celebrate multicultural and diverse character, and to contribute a sense of
ownership and pride in Bremerton, and
WHEREAS, the Arts Commission Master Plan provides a guide for the
Arts Commission to achieve its vision and goals for the City of Bremerton, and
WHEREAS, on March 10 2011, the Arts Commission unanimously
recommended City Council adopt the Master Plan; NOW THEREFORE,
THE CITY COUNCIL OF THE CITY OF BREMERTON, WASHINGTON,
DOES HEREBY RESOLVE AS FOLLOWS
SECTION 1. The recitals set forth in this resolution are hereby incorporated as
fully set forth herein
SECTION 2. The Arts Commission Master Plan attached hereto as Exhibit A
and incorporated herein by this reference is hereby approved as the Arts Commission Master
Plan
SECTION3. Severabdq If anyone or more sections, subsections, or
sentences of this Resolution are held to be unconstitutional or invalid, such decision shall not
affect the validity of the remaining portion of this Resolution and the same shall remain in full
force and effect.
SECTION 4. Effective Date This Resolution shall take effect and be in force
immediately upon its passage
1
Arts Commission Master Plan
PASSED by the City Council of the City of Bremerton, Waslungton this 151
day of A 2011
WILL MAUPIN, Co cil VWsident
APPROVED AS TO FORM ATTEST
5 RO R A. LUBOVICH, Ci
2
Arts Commission Master Plan
f �
Arts Commission
i �
i
Executive Summary
sectione one: A Vision for Public Art in Bremerton .............................................................................. ..............................4
section two; Civic Placemaking in Bremerton and Our Neighborhood Plan .................... ..............................7
section three; Priorities for Public Art in Bremerton ......................................................................... .............................10
appendix Policies and Procedures ........................................................................................................... .............................14
appendixB; Supporting Documents .......................................................................................................... .............................22
appendix Gallery of Work ............................................................................................................................... .............................26
—Front cover photo features the sculpture "With Attitude' by Artist Bob Kimbal I, Poulsbo, WA.
A Public Art Master Plan for Bremerton, Washington * i
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Arts Commission
Executive Summary —The Vision
The City of Bremerton has a two -part vision of public art which will be created through its I% For Arts program. One
goal is to stimulate the vitality, economy and culture of our community. The second is to enhance the quality of life
for its citizens. This vision is based on the belief that public art has enabled people of all societies to understand their
communities and lives more clearly.
On July 30, 2005, the Bremerton City Council established the 1% For Arts program and the Bremerton Arts
Commission to be administered through the Department of Community Development, Under Ordinance 4940
(Appendix B), all city funded capital improvements will provide revenue for public art projects. The enabling
legislation lists three goals for the city's new public art program:
Enhance and enrich the City's physical environment and public spaces;
Consider opportunities to celebrate the multicultural and diverse character of Bremerton; and
Contribute to Bremerton's sense of ownership and pride in public spaces and facilities.
This document,'Bremerton's Public Art Master Plan; covers the following topics:
Vision of the Bremerton Arts Commission
Contents of the Master plan
The'nuts and bolts'ofthe public art process: selection, funding and siting of art, governance, membership, and
the responsibilities of the Commission as put forth in the establishing ordinance.
THE PLAN
Bremerton's Public Art Master Plan was adopted on [date] by the Bremerton City Council. It was created by the
seven volunteer commissioners through a year -long series of discussions under the guidance of the Department of
Community Development which administers the plan, The plan focuses on the following objectives that reflect the
Arts Commission's priorities for public art:
Integration of art into architecture, the landscape, and infrastructure, resulting from close collaboration with
project managers and design teams;
Creation of a unique identity for each Center identified in the City of Bremerton's Comprehensive Plan; and
Involvement of the public.
A Public Art Master Plan for Bremerton, Washington *2
THE PROJECTS
The Public Art Master Plan's outline of future projects is based on the City of Bremerton's Centers Plan which, in turn, is
part of the City's Comprehensive Plan adopted in December, 2004. The following are priority areas for public art and
as opportunities and plans are developed, the Commission wants to ensure public art is incorporated into the process.
Area Centers
Charleston District Center
Downtown Regional Center
Employment Centers
Harrison Employment Center
Port Blakely Employment Center
Neighborhood Centers
Haddon Neighborhood Center
Kitsap Lake Neighborhood Reserve Center
Manette Neighborhood Center
Oyster Bay Neighborhood Center
Perry Avenue Neighborhood Center
Sylvan Pine Neighborhood Center
Wheaton /Riddell District Center
Wheaton /Sheridan District Center
PREFACE
s What is Bremerton's Public Art Master Plan
s How Public Art Works in Bremerton
s How the Master Plan was developed
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Arts Commission
A Vision for Public Art in Bremerton
A BRIEF SURVEY OF PUBLIC ART
Until July, 2005 when 1 %for Arts was adopted by Bremerton City Council, public art in Bremerton was generated by
private donations through state and county public arts programs. Art sites included Olympic College, The Norm Dicks
Government Center, Louis Mentor Boardwal k, the Washington State Ferry Terminal (Bremerton Transportation Center),
Fourth Street improvement block, and downtown murals. The majority of the art was concentrated in the downtown
area and was generated within the last 15 years of the city's 107 -year history.
HOW PUBLIC ART PLAYS AROLE IN THE TRANSFORMATION OFBREMERTON
A new era for Bremerton's public art dawned in July 2005. The City of Bremerton had embarked on a campaign
of civic transformation through development of the downtown core and grants to enhance its neighborhood
centers. The 1 %for Arts Program was created to funnel one percent of the construction cost of city- funded capital
improvement projects into public art for each respective project as well as in neighborhood and business centers.
This newly created public art is expected to support the transformation of Bremerton in the following ways
Providing economic support. Art in public places inspires artists, raises property values, and demonstrates
pride to potential entrepreneurs.
Educating the public about art. Public support for lifelong education in the arts can empower people of all
ages to develop their creativity in school, at home, and in the workplace. Exposure to public art and the city's
art collection will generate advocacy for the arts, stimulate communication and promote understanding of
diverse and cross - cultural values.
Stimulating cultural tourism. A primary goal is to create a strong arts identity for Bremerton. As a vibrant
arts -based community with a unique maritime and naval history, Bremerton is striving to become a popular
destination for cultural tourism.
Promoting Civic Pride. Public art can inspire meaningful connections between people and their environment.
Public art can also transform insignificant places into vital links in civic and community life,
A Public Art Master Plan for Bremerton, Washington *5
WHERE BREMERTON IS HEADED: AVISION FOR PUBLIC ART
Bremerton's Arts Commission does not envision that public art is merely adornment of architecture and public spaces.
Its vision is to create a place with its own identity that builds upon the city's unique history, culture, and setting.
Underlying this vision is the belief that art creates significant and lasting connections between people and places
which are important to both community and civic Iife.This means that the Commission will seek and support art
projects that meet the following criteria:
e Celebrate Bremerton's communities and tell stories that may have been overlooked previously.
e Enhance the quality of life by focusing on quality not quantity. This emphasis, in turn, should enhance the
image of Bremerton in local and regional context.
Inspire communities to be socially conscious and environmentally responsive by infusing Bremerton's public
spaces with a sense of pride, compassion, commonality, and sustainability.
Bremerton's vision for public art is to achieve bold and progressive change which will improve the quality of life for its
citizens. Such bold change requires artistic excellence, collaborative creative processes, and advocacy for the arts in
order to create lasting meaningful connections and foster community identity.
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Arts Commission
Civic PlacernIng in Bremerton and Our Neighborhood Plan
Bremerton's downtown is enjoying a renaissance with new waterfront residences as well as park, civic, and
commercial spaces that have been completed in the past several years. The downtown core area is bracketed by
parks and a boardwalk to connect them. Neighborhoods that prospered in the pasts are undergoing a resurgence of
interest and energy. Examples include: Manette, the oldest neighborhood, is an eclectic collection of homes, shops,
and vistas; Charleston, another historic area, is redeveloping as a shopping district; and the Wheaton Way- Riddel I Road
area, which has mixed commercial and upscale residential opportunities infused into its historic strip -mall plan, These
suburban areas give color to Bremerton's character and identity.
VISUAL ASPECTS OF BREMERTON'S CIVIC IDENTITY
Bremerton has a unique geographic setting of stunning marine and mountain views. Located on the Kitsap Peninsula,
the city is bordered by Puget Sound in almost every direction: Sinclair Inletto the south, PortWashington Narrows
through the center, and Ostrich and Oyster Bays to the west. The Cascade and Olympic mountains create a panorama
of mountain views to the east and west.The infrastructure built to cope with the water - divided terrain — Manette and
Warren Avenue bridges, Washington Stateferries, Port Orchard foot ferries, shoreline roads, and sundry boating
traffic — visually connect Bremerton to its marine identity,
Woven into local, regional, and national history is the Puget Sound Naval Shipyard (PSNS), which was constructed in
1891 on Bremerton's southern shore, While the shipyard limits public access onto its campus, the influx of thousands
of workers and sailors has affected Bremerton dailyfor 11 decades. PSNS has developed its own cityscape and shares
its historical identity with Bremerton with the opening of the refurbished Building 50 that houses the relocated
Naval Museum. Daily infusion of civilian and military personnel will continue to bring greater diversity of culture and
population to Bremerton.
THEMES OF BREMERTON'S CIVIC IDENTITY
Variety and diversity of people and lifestyles are the spices that flavor the melting pot of Northwest culture as well as
the military presence in Bremerton and Kitsap County.These various cultural influences color our community events
such as the Armed Forces Day Parade in May, the Blackberry Festival over Labor Day weekend, the seasonal Farmers
Market, the Lighted Boat Parades in December, and theyear -round First Friday ArtWalks.
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Also contributing to Bremerton's unique identity are community gathering places such as the Harborside district, the
boardwalk, Evergreen Park and Lion's Field. They are perfect vehicles for honoring an event, improving a neighborhood
or describing our local heritage.
GOALS FORUSES OF PUBLICART
The purpose of public art in civic placemaking is complex and multifaceted.The goal of the Bremerton Art
Commission is to employ public art as far more than mere site decoration.
The Commission looks to art to accomplish the following goals:
e Soften the hard edges of concrete and asphalt in orderto create inviting areas
e Create visitor magnets with careful and thoughtful placement of art in sub -area centers.
e Develop patterns of open space that are integrated into commercial planning zones.
e Create tourist destinations that are driven by aesthetics.
e Cultivate interest and acceptance of public art in the workplace
e Injectfun and playfulness in ordinary settings.
Forge strong community pride where citizens live, work and shop
The Commission intends to work in concert with civic leaders, residents, local business owners and visionary
developers to establish a city arts plan that integrates art into public spaces and sub -areas with the objective of
defining Bremerton's new and changing identity,
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Arts Commission
Priorities for Public Art in Bremerton
BREMERTON'S NEW OPPORTUNITY FOR PUBLIC ART
With Bremerton's funding from I% for Public Art in place, the city is considering the public art possibilities at the
optimum time -in the earliest stages of planning. All manner of capital projects, from the city's police station to public
plazas, parks and neighborhoods, and the extension of the boardwalk will include art as an integral ingredient. The
Commission will administer the program based on its core belief in the integral nature of public art. Not merely an
adornment oran afterthought, public art is as important as the architecture, landscape, and urban design.
STRATEGIES FOR PUBLIC ART
The Commission plans to use the following strategies to accomplish its vision of public art:
Integrate city capital projects with private development in order to create visual seam lessness and a sense of
partnership
Collaborate with other state and county public art programs in order to share ideas and experiences, and to
expand the arts commission's artist database
Coordinate and align the art program with the Bremerton's Comprehensive Plan for a consistent look
throughout the city
Select artists based on a hierarchy of geographical regions with local artists given first priority
Use diverse artistic styles and mediums appropriate to the location to provide variety along with a uniform
aesthetic to'pull together'a space, location, or neighborhood with a consistent look for a specific identity
Provide support for local artists as often as is feasible
Align with City Council's strategic priorities
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BREMERTONARTS COMMISSION'S CRITERIAFOR EVALUATING ART OPPORTUNITIES
The following criteria will be used to assess the priority given to each public art project. Artists chosen to create work
for each site should consider the following to be essential aspects of every project.
Priority Areas for Public Art
Priority Locations
s Neighborhood, District, Regional, and Employment Centers as determined by the City's Comprehensive Plan
s Public buildings and adjacent outdoor spaces
Priority Goals
Consistency in neighborhood themes, such as a repetitive use of materials to reflect a neighborhood's identity
e Reflection of Bremerton's unique identity and history in choice of styles and medias
e Use of public art as a catalyst for neighborhood change or improvement
e Creation of visual relationship and /or physical connectivity between public spaces.
Priorities for Public Art Projects
Visibility
Bremerton's primary goal in the selection of public art sites for any 1 % For the Arts project is to have the most visibility
and public access to as many citizens as possible. Public access always takes precedence over less visible areas of a
project. This means that both temporary and permanent public art installations will be incorporated into exterior
public spaces whenever feasible.
Site Appropriateness
Another key requirement is that all installations must be appropriate to their sites. One example of how this concept
has been implemented in a traditional 1 % For the Arts situation is installation at the Bremerton Police Department on
Burwell Street.
The commission examined a variety of site areas that could accommodate art including interior walls in both the
lobby and in the office area, as well as the exterior entry and wall nook.
A Public Art Master Plan for Bremerton, Washington * 12
Given the top priority -to make the art accessible to the public -both the commissioners and the police chief realized
the importance of sending a positive message to the community. The goal was to create a proverbial welcome mat
f o r t he public. Therefore, the art had to visually illustrate positive reception and community appreciation.
Two striking sculptures were chosen for the public courtyard and exterior entry wall in order to capture the attention
ofalI passers -by.
OUTREACH OPPORTUNITIES
Not all projects are spurred by the construction of capital funds projects. Many opportunities for community based,
grassroots efforts may come to fruition with the moral and financial support of the Commission, The City encourages
community involvement in every public art project and believes that public involvement is critical for successful
public art.
Some ways the public can be involved;
Enhance existing public space
Encourage rotating art exhibits
Create small or temporary installations
Provide input at public meetings
Share ideas
Participate!
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Arts Commission
Appendix A — Policies and Procedures
A.1 PROJECT /ART IDENTIFICATION
A.2 OUTREACH PROGRAM
A.3 CALL TO ARTISTS
A.4 SUBMISSIONS
A.5 SELECTION CRITERIA &PROCESS
A.6 DONATIONS &ACQUISITION OFART
A.7 DEACCESSIONING & DISPOSAL OFARTWORK
A.1 PROJECT /ART IDENTIFICATION
The Bremerton Arts Commission (Commission) will work with city staff to identify projects that will contribute funds to
the 1 % For the Arts Program (Arts Program), with the goal of giving input in the early stages of a project to ensure that
art installation is an integral part of the project.
A2 OUTREACHPROGRAM
Pursuant to BMC 3,12.060, the Commission and staff will strive to garner public interest in the Arts Program and to
encourage artists to become part of the cal I -to- artists database. Public information materials and opportunities
include but are not limited to:
Advertisement postcards
Contact with area galleries
Localmedia — advertisements, articles, and public service notices
City website
Telephone and direct mail to artists
Participation in First FridayArtwalk
Participation in other community events
Marketing of installations
A Public Art Master Plan for Bremerton, Washington * 15
A3 CALLTOARTISTS
General Database
The Commission will continually seek to update its database of artist information, including samples of the artist's
work, for use in Arts Program projects and notify those artists when opportunities arise.
Project Specific Call to Artists & Stakeholders
For all site - specific installations, the Commission will work with key project Stakeholder(s) such as a city project
manager, city department director, or facility /site users, to determine the scope, location, and type of art to be
installed, The Commission and stakeholder(s) will develop a project- specific call to artists and establish a timeline call.
The call will include specifics about the goal of the work, type of art desired, approximate location, estimated budget,
and timeline, If insufficient responses are received the call may be extended,
A.4 SUBMISSIONS
The Commission will consider only artists'workthat meet the submission requirements outlined in this section.
All artists must submit the materials outlined below as well as any specific information requested in the call,
All submissions must be submitted via postal mail or delivered in person. Submittals will not be permitted via
electronic mail.
Applicants must not submit work in their own binders or folders, and shall not paperclip or staple together any pages
of their application.
Each page of submittal materials must include the applicant's name, address, phone number and email address.
The application materials must be placed in a 9x12 envelope or folded once in a 6 x 9 envelope.
Mail Application Form and Materials to;
City of Bremerton Arts Commission
Attn: Artist Registry
345 6th Street, Suite 600
Bremerton, WA 98337
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Submittal Requirements
10 Digital Images of Artist's Work
Only digital images will be accepted. If using a CD, it must be labeled with the artist's name and contact information.
Embedded images, moving images, or audio files are not permitted. Applicants are encouraged to test digital work
samples priorto submission. Applicants will not be contacted regarding problems with the properfunction of work
samples and may not be reviewed as a result. Thefollowing rules applyto all submissions:
File Format. Submit only "high "quality JPEGs (do not use GIFs,TIFFs or other formats). Choose the highest
setting available. Save submitted JPEGs as baseline, Do not save images as a progressive JPEG file, Images
should be 1500 pixels (72ppi) on the longest side.
s File Naming; LastnameF irstname0lTitleoMorkjpg
e Naming Example, VanGoghVincent01StarryNight.jpg
Printed Image List
Each item listed should have the image file name, title of artwork, size of original art, medium, and price (even if it has
been sold).
Example: IMAGE ONE
File: VanGoghVncent01StarryNightjpg
Title: Starry Night
Size: 28 x 22 inches
Medium: Oil on linen
Price: $50,000,000
PrintedArtist Statement
Provide a one page statement detailing the artist's work and how it relates to the public.
One or Two Page PrintedArtist Resume
Proof of Residency
Provide a copy of any of the following: driver's license, voter registration, or utility bill The proof of residency must have
a street address; PO Box addresses will not be accepted as proof of residency.
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Printed List of Three References
Submit name, address, phone number and email address for three references who can speak to the quality of the
artist's work, ability to work with a variety of people, and complete work on a deadline and within budget.
Additional Support Materials (Optional)
No more than three additional printed pieces of support material that may help to illustrate the artist's work to the
commission.
A.5 SELECTION CRITERIA &PROCESS
Artist Selection Process
The selection of an artist to prepare a piece for installation is a multi -step process. The procedure is summarized as
follows;
Short List -The Commission and stakeholders will review the Call to Artist responders, and, using the adopted
selection guidelines, select those artists who submitted complete applications and meet the needs of the
project as specified in the call,
2. Interview -Selected candidates will prepare a presentation and interview with the Arts Commission and
Stakeholders.
3. Evaluation -The Commission and Stakeholders will evaluate the artists'conformance to the criteria outlined in
these policies and procedures and select a finalist for the proposed project,
4. Recommendation —The Commission will make a formal motion and enter into findings its recommendation
to the City Council. The findings reflect the preferences of the Commission and stakeholders,
City Council Review —The Commission Chair and/or Vice Chair will report the Commission's findings to the
City Council for their consideration which they may choose to accept or reject.
Creation of site specific artwork
If custom artwork is to be created for public installation, the Commission will enter into findings recommending
an artist to the City Council, The Council will review this request, and make a motion to authorize the Commission
to work with the selected artist to develop a scope of work and budget for the piece. Once the design is finalized,
the Chair and /or Vice Chair will return to Council to present the design for final confirmation and authorization of
purchase.
A Public Art Master Plan for Bremerton, Washington* 18
Criteria
The Commission and Stakeholder(s) will review artist's submissions and make a recommendation to the City Council
for artist selection. The Commission will evaluate proposals for the 1 % For the Arts Program and Donations for their
conformance with the criteria outlined below. Each artist proposal and interview will be scored according to the
points established in this section
1. Appropriateness for site (55 total points)
s The art should be appropriate in scale, material, form and content for both its immediate and general social and
physical environment
The art shall serve to establish focal points, modify, enhance or define specific spaces,
The art shall have or be installed such that it will be durable against vandalism, theft, weather and excessive
maintenance costs
The art shal I comply with public safety requirements and applicable codes.
II, Artist ability to perform the scope of work (45 total points)
Artists shall be ableto create artwork of high quality, be unique and include excellence in craftsmanship,
originality in conception, and integrity of materials.
s The artist references and /or work experience indicate ability to complete work
s The artist is able to complete the project within the budget and timeframe
III, Preference for local artists (6 total points)
Artists will be categorized into groups based on regions radiating geographically from Bremerton. The purpose
of this categorization is to give preference to local artists. The regions areas follows:
1. Bremerton (6 points)
2. Kitsap County (5 points)
3. Washington (4 points)
A Public Art Master Plan for Bremerton, Washington * 19
A.6 DONATIONS& ACQUISITION OF ART
The City may receive offers of donations of artwork or funds for public art. Potential donors will be referred to the
Arts Commission to discuss the nature of the gift and procedures for review and approval. The Commission will
review the proposal and recommend consideration or rejection of the offer, and make a site recommendation
where applicable. All gifts, bequests, and donations accepted by the Commission shall be approved by City Council
following a recommendation of the Commission. Any gift, bequest, or donation of art shal I meet the selection criteria
in Section 6.4.
A.7 DEACCESSIONING & DISPOSAL OFARTWORK
The Arts Commission desires to have a diverse art collection of the highest quality. The process of acquiring works
and disposing of them should reflect that desire. Because the disposal of artworks may have serious implications for
the artists, deaccessioning should be a deliberate and seldom -used procedure.
Definitions
Deaccessioning —the indefinite removal of an artwork from permanent display, whether it is disposed of or not,
Disposal —Any actions or set of procedures that result in the cessation of ownership and possession of an
artwork by the City of Bremerton
Deaccessioninge
A. Conditions. A work of art may be considered for deaccessioning if any of the following conditions apply,
1. It has received consistent adverse public reaction over a period of five or more years,
2. Deaccessioning has been requested by the department that displays the work.
3. The art can be used to finance, or can be traded for, a work of greater importance. However, any sale of art is
subject to the disposal requirements of BMC 2.76.150.
4. It possesses faults of design or workmanship.
5. It causes excessive or unreasonable maintenance.
6. It is damaged irreparably, or to an extent where repair is unreasonable or impractical.
7. A suitable place for display no longer exists
8. It represents a threat to public safety.
9. A written request from the artists has been received
A Public Art Master Plan for Bremerton, Washington *20
B, Deaccessioning Procedures
1. The Commission initiates this procedure bypassing a motion by a majority vote of its members to consider the
deaccessioning of artwork. The deaccessioning proceedings will be held as soon as the following are be met:
a. Date, time, and place of deaccessioning proceedings are publicized.
b. Artists whose work is being considered for deaccessioning will be notified by reasonable means and shall
be invited to speak.
c. The displaying agency or department will be notified and invited to speak,
2. The Commission will enter into findings that include:
a. Reasons for the suggested deaccessioning
b. Informed estimate of the current value of the work
c. Evaluation of the condition of the work
d. Public and agency feedback on the work
e. Suggested and alternate courses of action in the following priority order
. Relocation of work
ii. Removal from display and storage
iii. Sale ortrade ofthe work
iv, Disposal of the work as appropriate
3. The City Council will consider the findings of the Commission and will make a motion to accept or reject
their fnding
A Public Art Master Plan for Bremerton, Washington *21
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Arts Commission
Supporting Documents
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A Public Art Master Plan for Bremerton, Washington *23
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A Public Art Master Plan for Bremerton, Washington *24
Supporting Documents
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A Public Art Master Plan for Bremerton, Washington *25
I t
Arts Commission
Gallery of Work
Image
What
Where
Title
Artist
Install Date
Glass sculpture that is a replica
1025 Burwell Street
JD Francis
April 2008
of the new Bremerton Police
(Police Facility)
Poulsbo,WA
badge
dl,v,
11
11,5 foot tall stainless steel
1025 Burwell Street
"Tides of Justitia"
James Kelsey
April 2008
sculpture representing the
(Police Facility)
Port Orchard, WA
Police creed of "RR,10LE
one granite bench, 5 granite
spheres
3 -part sculpture, steel with red
South entrance of
"Constellations"
CJ Rench
November
6. �
powder coating
Evergreen Rotary Park
Hood River, OR
2009
A Public Art Master Plan for Bremerton, Washington *27
Gallery of Work
Image
What
Where
Title
Artist
Install Date
185 Artistic Banners
Pacific Avenue, Washington
Various
Various
Continual
Avenue, Future sites;
Callow Avenue, Evergreen
Park, and other sites to be
determined at a later date.
Powder coated steel sculpture
SE corner of Pacific Avenue
"Anima"
Composite
August 2010
depicting a free - spirit female
& 5th Street
Creations,
figure with arms outspread
Vancouver, BC
Powder coated steel sculpture
SW corner of Pacific Avenue
"Despite the Rain"
Cobalt
August 2010
depicting a female figure
& 5th Street
Designworks, LLC,
holding an umbrella overhead
Vancouver, WA
.
Y
■
n
A Public Art Master Plan for Bremerton, Washington *28
Gallery of Work
Image
What
Where
Title
Artist
Install Date
Stainless steel sculpture
NE corner of Pacific Avenue
& Burwell Street
"With Attitude"
Bob Kimball,
Poulsbo, WA
December
2010
1
9 `
he o
A Public Art Master Plan for Bremerton, Washington *29
Arts Commission
345 6th Street, Suite 600, Bremerton, WA 98337
Tel: (360) 473 -5202; Fax: (360) 473 -5278
E -mail: BremertonArts @ci.bremerton.wa.us
Andrea Spencer, Director of Community Development
Pam Bykonen, Arts Commission Clerk